Chủ Nhật, 30 tháng 9, 2012

Disney Film Project Podcast - Episode 91 - Ratatouille



This week the DFPP team and their friend AJ decide to budget in a field trip to Paris for some gastronomic research and find that the greatest things in life often come from the most unexpected places in the 2007 animated film Ratatouille.

Enjoy the show!

Thứ Ba, 25 tháng 9, 2012

Avengers Tweetwatch - Tuesday, October 2 at 8:30 p.m.



If we're gonna bring back Tweetwatch for the fall, what better way than with the BIGGEST movie of 2012! Marvel's The Avengers is now out on Bluray and DVD, and if you are reading this, you are not buying it.  So go...get it!  I'll wait.



Okay, now that you have the movie, it's time for a Tweetwatch.  I'll give you a week to buy the movie, then on Tuesday, October 2, we will all watch it together.  If you haven't participated in a Tweetwatch before, then what are you waiting for? It's loads of fun and is made for exactly this situation. Here's how you do it:

1. Buy the movie. Did I mention that already? Or if you want to rent it, do so quickly.
2. Get yourself a Friendfeed account. This is how we chat with each other during the movie.
3. If so inclined, sign up to attend on our Plancast page. 
4. Get your popcorn popped, crack open your favorite beverage and sit down in front of the TV on Tuesday, October 2 at 8:30 p.m. ET.  I'll tweet and post in the Friendfeed room that it's time to start. 
5. While we watch the movie, I'll throw in fun bits of trivia or other items about the movie. It's like Pop Up Video if you are old enough to remember that.

That's it!  It's fun, and let's face it, you'll be watching Avengers anyway.  As for future Tweetwatches? Stay tuned....

Chủ Nhật, 23 tháng 9, 2012

Disney Film Project Podcast - Episode 90 - Finding Nemo


This week the DFPP team dons their swim gear and heads out to explore the big blue world but ends up discovering that in order to move beyond their fears they first have to learn to accept them and let go in the 2003 animated adventure Finding Nemo.

Listen, download, etc.


Thứ Năm, 20 tháng 9, 2012

Alice in Wonderland

When I sit down to watch Alice in Wonderland, it is a struggle.  As you may have deduced in reading this blog, I love stories and storytelling.  Alice is not a film that focuses on story.  It is a bizarre romp through colorful characters that meanders from one scene to the next, with barely a line of dialogue or visual to connect the scenes.  It makes for some amazing visual filmmaking that fails to tell a story.




The film ostensibly tells the story of Alice following the White Rabbit through a rabbit hole into Wonderland.  But the problem is, the White Rabbit is mostly absent during the course of the film.  The idea that this is what drives Alice becomes lost about halfway through the film, and leads to a wandering and lost Alice.  It’s a shame, because the work done by the animators here is very good, and the combination of visuals, music and voice acting is quite excellent.



Start with the visual feast that is Alice in Wonderland.  The imagination on display is fun to look at, and flows naturally from Mary Blair’s designs.  The brilliance of the flowers sequence, where the flowers sing “A Golden Afternoon” to Alice, is one of my favorite things in the entire film.  The use of puns on the bread and butterflies, the rocking horsefly and others supplements the whimsical designs and voices.  But anyone who has seen the film knows that two sequences stand out more than any other.



The mad tea party that is joined by the March Hare, the Mad Hatter and the Dormouse is probably the most recognizable sequence of the whole film.  Ed Wynn’s performance as the Mad Hatter was so memorable that he is the main character outside of Alice to appear as a character in the Disney parks.  It makes for a fun and very entertaining bit of film to watch them demolish cups, sing songs and do things that are physically impossible.  Alice’s astonishment and look of wonder is a stand in for the audience watching these proceedings and trying to figure out what is going on in this crazy world.



That’s the issue with the film, though, is that the audience spends most of their time trying to figure out what they should look at, where they are and what’s going on.  The place where this is the least applicable in the film is the very end, when Alice finds herself in the court of the Red Queen.  That sequence has a fairly straightforward flow – the queen gets upset about the roses, meets Aliceand engages in a cricket game.  When Alice gets sabotaged by the Cheshire Cat, she is sentenced to die and has to find a way out of that predicament.  It all flows one detail to the next.

Contrast that to the early scenes where Alice flows from floating in the ocean to the silliness of the caucus race to the confrontational nature of Tweedledee and Tweedledum and over to the Walrus and the Carpenter story.  All of that in about 15 minutes!  The film is schizophrenic to say the least.  What ends up making it memorable for me is the music.



Many don’t realize it, but this is the Disney film with the most songs.  The reason for that, as I wrote yesterday, is because the filmmakers wanted to pull in as much of the poetry from the Carroll books as they could.  What happens is many memorable songs, like “A Golden Afternoon,” “The Unbirthday Song,” “March of the Cards” and more.  These are songs that are played to this day at the Disney parks, and survive as great memories.

Unfortunately, it’s not enough to make Alice in Wonderland a good film.  The lack of narrative flow through and depth in the characters makes it ultimately a bizarre accumulation of visuals.  I honestly find it hard to watch until it gets to the tea party, and have trouble staying interested, which is not a problem I typically have with Disney films.  Even Walt acknowledged that Alicedid not turn out the way he wanted, and I have to say I agree with him.

Thứ Tư, 19 tháng 9, 2012

Development of Alice in Wonderland

If you’ve been following the arc of Disney films since World War II, you’ve seen things evolve slowly.  In 1949, the company jumped into live action with So Dear To My Heart.  The magic of animated films began to resurface after all the package features with Cinderella in 1950.  And now, in 1951, Disney plunged forward with one of their most bizarre and experimental films, Alice in Wonderland.




Walt had been looking for ways to adapt this story for decades.  Remember that Walt got his start in animation with the Alice Comedies, where he took a live action Alice and dropped her in an animated world.  While he didn’t directly adapt Lewis Carroll’s books, it was using the strange settings and characters from the books that made such a crazed and dynamic world.  

When Walt got the idea to move into feature films, it was Alice in Wonderland that interested him.  The thought was to make a feature length version of the Alice Comedies, and a screen test was shot with actress Mary Pickford in 1933.  It turned out to be a bust when another studio released their live action version of the story.  But Walt was not deterred, and registered the title Alicein Wonderland with the MPAA in 1938.

 Mary Pickford

Like nearly every other project, the financial struggles of the 1940s put Aliceon the back burner.  Between the animator’s strike, the loss of foreign markets, the war and the financial failures of some of the pre-war films, Walt’s output had to turn to what made money moreso than what art they could produce.  Alicewas no exception.   After the war ended, Walt returned to the idea of producing a live action/animation hybrid.  Several actresses were tested for this version, including Ginger Rogers.

Ultimately, though, the decision was made in the late 1940s to turn to a musical, comedic take on the books with less of a focus on slavish devotion to the story.  This was the version of the film that was released to theatres in 1951.  For years, Disney animators had tried to recreate the illustrations of Sir John Tenniel, the man who had done iconic drawings for the Carroll books.  With this new freedom, the artists created their own versions of the characters, and ended up defining the look of these characters for generations. The biggest key to this was Mary Blair, who had been such a key on the South American films.  Her design was applied to the backgrounds and art direction of the film, making it very unique in the Disney canon.

Mary Blair's designs

Rather than stick to the poetry and verse that Carroll had put in the books, Disney commissioned songwriters to use those poems as a starting point for new songs.  The film ended up with tons of songs, some of them only lasting for seconds, because they were there to simply use the story beats from the books.  The changes were not popular with fans of the books, something that Disney expected.

Kathryn Beaumont, who would go on to do much more work at Disney, was chosen as the voice of Alice, and a variety of character actors and comedians were picked to round out the looney cast.  Ed Wynn as the Mad Hatter turned in the most memorable performance, but former Disney faves Jerry Colonna as the White Rabbit and Sterling Holloway as the Cheshire Cat also turned in fan favorite performances. 

Kathryn Beaumont with Walt

In the end, the public reacted rather unfavorably to the film.  While it wasn’t the financial disaster that some other films like Fantasia were upon initial release, the film never found its footing and made less than $3 million in theatres.  It wasn’t until the 1970s that audiences got to see Aliceagain, but this time, it was much more a part of the counter culture than a family film.  Once again, in later years, when Alice was released on video, the audiences started flocking to it, and recognizing the work done in the 1950s.  Tomorrow, we’ll look at the film itself and how it holds up as a work of art.


Thứ Ba, 18 tháng 9, 2012

The Mighty Ducks Review by Briana Alessio


So this is the first time I saw this film.  I went into it unsure and with caution, since I was used to the 1996-1997 animated series (yes, I realize the series came after the film).  However, I was pleasantly surprised.  This is a well cast, well acted film which I’m excited to be blogging about.

Released in 1992, The Mighty Ducks focuses on the life of troublemaker lawyer Gordon Bombay, and his struggle with life.  When he was a kid, he played youth hockey and ended up losing the big game, upsetting his coach and leaving a bad taste in his mouth for many years to come.  We flash forward to Bombay’s current state of life. His law firm does not seem to appreciate him, especially his boss Gerald Ducksworth (remember that last name while watching) and his habit of landing himself in trouble leads to having to do community service work.  Of course, this brings him into the hands of a league of adolescents who are horrible at the sport of hockey.  I mean, horrible.  They immediately dislike Bombay after introductions, and the feeling is mutual.  After some bickering, they finally become attached.  Bombay forms a close bond with Charlie Conway, and a whole different kind of bond with Charlie’s single mother Casey.  The developing relationships in this film are sweet and heartwarming to watch.  They are quite well played on screen as well.  We see ups and downs of the appropriately named Mighty Ducks, and how Bombay’s old couch from his younger years re-enters his life.  There is conflict but it is brought out well, highlighting each of the characters to give them their own personalities.

For some reason, I feel that this film seems to have touches of Newsies in it minus the music.  The way the characters bond and form close relationships, with the one person who kind of leads them to happiness.  Perhaps I’m way off, or maybe it is just the utilization of camera angles that is similar, but I definitely see similarities in the two.  Also, both films were released the same year.

Emilio Estevez stars as Gordon Bombay.  He is the son of Martin Sheen, which is absolutely obvious just by listening to him speak.  Estevez has appeared in many television shows and films, but is most well known for his role as Andrew Clark in the much loved 1985 film The Breakfast Club.  Josef Sommer plays Gerald Ducksworth.  Sommer has appeared in a countless number of films including the 1977 classic Close Encounters of the Third Kind and 1994’s Nobody’s Fool.  Charlie Conway is played by the almost unrecognizable Joshua Jackson.  We know Jackson best from the youth drama television show which lasted five years, Dawson’s Creek.  The cute Marguerite Moreau is Connie Moreau.  She has been in many films including…wait for it…Beverly Hills Chihuahua.  Yes.  The range of talent in the kids is fantastic, one of them coming from child actor J.D. Daniels.  He provided voices in the animated series versions of Aladdin and The Little Mermaid.  The remaining kids, Hans, Coach Jack Reilly, and Casey Conway are also wonderful additional characters to the film.

The film is directed by Stephen Herek.  Herek has directed numerous other titles including 1991’s dark comedy Don’t Tell Mom the Babysitter’s Dead (I love this film – parental guidance required, if you please), 1995’s Mr. Holland’s Opus, and 1996’s live action Disney hit 101 Dalmatians, among many others.  The film’s writer, Stephen Brill, has participated in writing for both of the Mighty Ducks sequels.

The soundtrack is simple but fun, including the two Queen songs we all know and love, “We Will Rock You” and “We Are The Champions.”  Seriously, how often is the name Freddie Mercury associated with a Disney film?  We also hear “Hey Man” performed by The Poorboys, “Shake ‘Em Down” by Southside Johnny Lyon, a version of “Good Vibrations” by Marky Mark (now known as Mark Wahlberg) and the Funky Bunch, and “Winning It All” by John Spinks.

My favorite scene involves the team trying to teach Goldberg how to become a competent goalie.  They do this by tying him to the net and lunging pucks at him.  At first, Goldberg panics and complains, but he soon after realizes that it does not hurt.  He originally could not come to terms with the fact that the players wear heavy clothing and protection for a reason.  Once he understands this concept, he becomes a much better player.  My favorite character is Charlie Conway.  I love his blossoming friendship with Gordon, and the want he has in his heart for his mother to be happy is absolutely endearing. 

The Mighty Ducks is such a fun film.  The cast is enjoyable and their chemistry is obvious on-screen.  You do not have to put an overwhelming level of thought into the plot.  Everything rolls out easily in front of you, with enough valid explanation to be understandable.  Both children and adults will find the humor and kindness in this film.  I recommend it for a night at home with the family, and look forward to seeing it again someday.


My Rating:  4/5

My mother is not gonna approve of this, Coach! She wants me to live to be Bar Mitzvah'd! 

Chủ Nhật, 16 tháng 9, 2012

Disney Film Project Podcast - Episode 89 - The Mighty Ducks


This week the DFPP team breaks out their skates and heads onto the ice to learn some team building exercises only to discover that sometimes it’s not just how you win or lose it’s how you play the game in the 1992 comedy The Mighty Ducks.

Listen, download, etc.